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设计·诗丨国家大屠杀纪念馆丨National Holocaust Monument / Studio Libeskind

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发表于 2017-10-18 00:15:17 | 显示全部楼层 |阅读模式
                                                                                                   
【建筑诗·195期】
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位于加拿大战争博物馆对面的布斯和威灵顿街的拐角处。79英亩的土地将博物馆与国会历史中心连接起来。

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纪念碑被设计为一个与周围环境组成的六个三角形,混凝体量创建一个恒星的点。六角星是大屠杀的视觉符号,一个象征(成千上万的犹太人被迫穿纳粹的确定他们是犹太人符号的衣服)。徽章的三角空间代表纳粹和他们的合作者用于区分同性恋,Roma-Sinti、Jehovah’s Witnesses、political和宗教囚犯以去杀害这些人。

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The Monument is organized with two physical ground planes that are differentiated by meaning: the ascending plane that points to the future; and the descending plane that leads visitors to the interiors spaces that are dedicated to contemplation and memory. Six triangular concrete forms provide specific program areas within the Monument: the interpretation space that features the Canadian history of the Holocaust; three individual contemplation spaces; a large central gathering and orientation space; and the towering Sky Void that features the eternal Flame of Rememberance, a 14 meter-high form that encloses the visitor in a cathedral-like space and frames the sky from above.

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Edward Burtynsky’s large scale, monochromatic photographic landscapes of current day Holocaust sites – death camps, killing fields and forests – are painted with exacting detail on the concrete walls of each of the triangular spaces. These evocative murals aim to transport the visitor and create another dimensionality to the interiors spaces of canted walls and labyrinth-like corridors.

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The Stair of Hope rises from the central gathering space, cuts through a dramatically inclined wall and points at the upper plaza towards the Parliament Buildings; a gesture that recognizes and acknowledges the Canadian survivors who have contributed much to Canada and who continued to play an important role in exposing the dangers of state sponsored genocide.

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