总建筑师：Roland Simounet 项目经理：Yves Tougard
面积：11，600平方米 摄影师：Max Lerouge – LMCU， Philippe Ruault， Vincent Fillon 图片来源：Max Lerouge – LMCU
Manuelle Gautrand建筑事务所整修扩建了Lille现代艺术博物馆，该馆位于法国Villeneuve d’Ascq一座漂亮的公园内。现有的建筑是由Roland Simounet在1983年设计而成的，已经位列历史古迹名单。建筑师说在设计时，他充分考虑了原有建筑的风格特点，尽力学习领悟Roland Simounet建筑的精华，使扩建部分不与原建筑相去甚远，不让人产生孤立或者“截然不同”的感觉。扩建部分包围住原有建筑的北部和东部地区，呈扇形长长地展开。扇子一端是一个带咖啡厅的饭店，面向中庭地区；另一端空间要大一些，有五个画廊，存放着Brut艺术收藏品。这些画廊与周边环境很好地融为一体，同时也体现了其存放藏品的特性：与众不同，只要扫一眼肯定会难以忘怀。折叠交错的画廊弯弯曲曲，既有整体性，又不会让人觉得死板，游客可以沿着画廊慢慢参观。该建筑有内向型特点，可以对那些易碎易坏、或者需要弱化灯光的艺术作品起到保护作用。建筑表明的混凝土颜色也会根据日光强度不同而发生一定变化。
The project concerns the refurbishment and the extension of the Lille Modern Art Museum in a magnificent park at Villeneuve d’Ascq. The existing building， designed by Roland Simounet in 1983， is already on the Historic monuments list. I tried to take my cue from Roland Simounet’s architecture， ‘to learn to understand’， so as to be able to develop a project that does not mark aloofness， an attitude that might have been seen as indifference. The architecture of the extension wraps around the north and east sides of the existing arrangement in a fan-splay of long， fluid and organic volumes. On one side， the fan ribs stretch in close folds to shelter a café-restaurant that opens to the central patio; on the other， the ribs are more widely spaced to form the five galleries for the Art brut collection. The Art brut galleries maintain a strong link with the surrounding scenery， but they are also purpose-designed to suit the works that they house: atypical pieces， powerful works that you can’t just glance at in passing. The folds in these galleries make the space less rigid and more organic， so that visitors discover art works in a gradual movement. The architecture is partly introverted， to protect art works that are often fragile and that demand toned down half-light. The surface concrete has a slight colour tint that varies according to intensity of light.

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