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主要建筑师：Gerd Bergmeister， Michaela Wolf
合伙建筑师：Roland Decarli， Peter Reichhalter， Ana Soares， Marina Gousia
委托方：Ulrich perathoner kg-sas
建筑面积：2，708平方米 摄像者：Günter Richard Wett， Ulrich Egger
Wolf建筑事务所建造的这座展馆，名为Perathoner，由木材雕琢而成，所处地理位置优越，毗邻Pontives街道。这个建筑展示了Gr?den当地精巧的工艺制品及木质材料的悠久历史，这座建筑造型独特，内内外外都给人留下了深刻的印象：展馆内是价值不菲的艺术品，展馆外的个性木雕也引得路人纷纷驻足观望。建筑给人以活跃生动的印象，立面节奏的韵律不断变化，人们视角随之不断变换，同时木材的颜色纹理变幻也变得清晰可见。建筑的褶皱、凹陷，开合都能激起了人们的好奇心，目光随之弯曲、折叠不断发生变化。建筑师先创建一个单一的立面作为这个中心，然后将整合出四五个立面来。这个项目已经成为了当地工艺制品的一部分。
The estate in exceptional location (roundabout Pontives) is the obvious place for the new construction of the wood carving Perathoner. The new building should point out the long tradition of Gr?den’s craft industry and the material wood. The corporate identity of wood carving should be expressed by the outside as well as inside: in this building valuable art objects are produced. The building should tempt the passers-by to stop and arouse their interest. It is part of the ongoing changes during the artistic process of the craftsman. The fa?ade also appears like that: a movement， a bend， a fold， a change. The building arouses curiosity because of the folds， dents， cuts and openings. It was a central aspect to create just one single fa?ade at this traffic junction ， to transform the 4 or 5 facades into one. The project becomes part of the craft industry.
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本主题需向作者支付 4 元RMB 才能浏览 购买主题 主要建筑师：Gerd Bergmeister， Michaela Wolf
合伙建筑师：Roland Decarli， Peter Reichhalter， Ana Soares， Marina Gousia
委托方：Ulrich perathoner kg-sas
建筑面积：2，708平方米 摄像者：Günter Richard Wett， Ulrich Egger
Wolf建筑事务所建造的这座展馆，名为Perathoner，由木材雕琢而成，所处地理位置优越，毗邻Pontives街道。这个建筑展示了Gr?den当地精巧的工艺制品及木质材料的悠久历史，这座建筑造型独特，内内外外都给人留下了深刻的印象：展馆内是价值不菲的艺术品，展馆外的个性木雕也引得路人纷纷驻足观望。建筑给人以活跃生动的印象，立面节奏的韵律不断变化，人们视角随之不断变换，同时木材的颜色纹理变幻也变得清晰可见。建筑的褶皱、凹陷，开合都能激起了人们的好奇心，目光随之弯曲、折叠不断发生变化。建筑师先创建一个单一的立面作为这个中心，然后将整合出四五个立面来。这个项目已经成为了当地工艺制品的一部分。
The estate in exceptional location (roundabout Pontives) is the obvious place for the new construction of the wood carving Perathoner. The new building should point out the long tradition of Gr?den’s craft industry and the material wood. The corporate identity of wood carving should be expressed by the outside as well as inside: in this building valuable art objects are produced. The building should tempt the passers-by to stop and arouse their interest. It is part of the ongoing changes during the artistic process of the craftsman. The fa?ade also appears like that: a movement， a bend， a fold， a change. The building arouses curiosity because of the folds， dents， cuts and openings. It was a central aspect to create just one single fa?ade at this traffic junction ， to transform the 4 or 5 facades into one. The project becomes part of the craft industry.
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