责任建筑师: Rolandas palekas， Bartas Puzonas， Alma Palekiene， Petras Isora， Matas Siupsinskas， Monika Zemlickaite， Lina Suziedelyte， Aidas Barzda， Jurga Garsvaite， Vilmantas Bavarskis.
面积: 13，800平方米 年份: 2012
这座新图书馆坐立于维尔纽斯市的郊区的一片松树林中。其室内空间的设计概念也因此借用了森林的灵感，由此拉近了内部空间与外部环境的距离。主建筑群外部的广场富有亲和力，而水泥地面与主建筑的陶制外立面也从外部一直延伸进全玻璃入口大厅，扩展至内部空间。建筑群的一层不仅是一个公共活动空间，同样也包括了食堂，会议大厅，以及阅览室和一个全开放的露台。各层的阅览室能通过中庭的楼梯相连接，而在这个空间里也能对面对的整片树林一览无余。全通透的玻璃幕墙在夜间倒映着森林的影子，而在白天则将森林与充分的自然光引入室内空间，使之通透而且多变。为了衬托占主导地位的书籍们，整座图书馆的室内色调以白色为主，而在幕墙与主阅览室之间的隔墙则使室内光线不至于太强烈。部分可以开启的窗户保证了室内的自然通风。 设计师认为：图书馆作为一个承载精神活动的地点，应该向外传达出其独特的情绪。因此新图书馆的主语境应当是灵动，不可预知且富有内涵的。在这个主题上，外立面主要由互相平行的水平线构成——要在倾斜角度各异的平面上保证这一点，所有的陶制构件形状都经过了仔细的计算。但这是值得的，因为整个建筑群的外表都因为这个外立面而变得富有质感且个性鲜明。
The library is on the outskirts of Vilnius. A relatively quiet and leafy location of the existing university campus is about to change significantly. In upcoming years， a new agglomeration of education facilities will emerge here. The library is located near the pinewood， at the intersection of the main pedestrian path and a new access road. Neighborhood of the forest has inspired a spatial conception of the library – cozy inside spaces and their linkage with the nature. An intimate amphitheater-plaza is welcoming a visitor. A glazed entrance hall is a continuation of the plaza space. The same as the outside， it has concrete floor and terracotta facades. The ground floor， which functions as a central circulation space， also includes a conference hall， cafeteria， periodicals-reading room with an open-air terrace. As walking further， one is entering reading rooms located on several floors which are connected by an atrium， focusing the view to the forest. Two glazed facades face the wood and illuminate the trees at night. At the daytime， the trees are sunlit and become a visual part of the interior. The spaces are diverse and easily transformed. In the interior， white color dominates and exposes books as well as people. We believe that the library should radiate an emotional charge because it is a place of non-material creativity and spirituality. Therefore， we have chosen the scenery of expressively and unpredictably varying silhouettes as the main architectural language. The volumes are clad with white terracotta elements. The facades are arranged so that all joints and gaps are horizontal and run paralelly around the building despite different angles of leaned surfaces. Rooms are naturally ventilated via window openings. Solid south-side partitions hide people and books from direct sun and overheating.


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