建筑师: Marcos Zotes
冰岛建筑师Marcos Zotes和他的工作室UNSTABLE联合设计、指导的像素云建筑赢得了2013年雷克雅末克（冰岛首都）冬季灯光节。该建筑为冰岛人民提供了一次机会来重新审视他们对现代公共空的管理和利用。冰岛目前的财政状况让城市里堆积了很多老化的施工架，这样造成的城市伤疤让我们想起了他们当今社会的脆弱。这个建筑利用了这种状况，把一个普通的施工架变成了一个在雷克雅末克中心的完全沉浸与灯光和音效的环境。位于冰岛首都雷克雅末克的议会大楼前的Austuv?llur广场是2008大量集会抗议的场地，而抗议最终也导致政府前所未有的改变。像素云暂时把这里变成了和谐的地方。在开幕之夜，成千上外的市民聚集于此，共享盛会，当地居民称之为自2008年以来，Austuv?llur广场上的最大聚会。该建筑由一个已经被组装为概念上形似像素云的大型施工架构成。施工架曾在功能上被解放出来，作为建筑工业的一部分，现在则被视为一件艺术品。整个结构被一个多层网质纤维构成的穿孔薄膜覆盖着。薄膜可以获取投射在其表面的光，并让光通过气孔，照到下面多层结构。一系列现场生成视觉效果都有视频映射，来仔细地配合建筑的空间质量：两个不同的光源发射出24，000流明。随着投影灯从一层纤维射到另一层纤维，光线不仅充满了整个空间，还照到了那些走进这个光影空间的市民身上。在冬日灯光节举行的四夜里，Marcos Zotes进行了一系列的现场视觉表演，冰岛音乐家E?var? Egilsson和他的Cosmos节目也一同进行了现场表演。该建筑白天时保持为一个公共高架平台，让当地居民可以透过新的视角来享受周围的城市环境。
Designed and directed by Iceland based architect Marcos Zotes and his studio UNSTABLE， their Pixel Cloud installation is the winning competition entry for the Reykjavik Winter Lights Festival 2013. The installation creates an opportunity for Icelanders to reconsider the use and management of their urban public spaces. With the current financial situation leaving a permanent landscape of obsolete scaffolding structures scattered across the city， this has resulted in urban scars that remind us of the fragility of their current society. This installation takes advantage of this condition by transforming an ordinary scaffolding structure into a fully immersive environment of light and sound in the heart of Reykjavík.Located in front of the Icelandic House of Parliament in Reykjavik， Austuv?llur Square became the scenario for the multitudinary protests of 2008 that lead to an unprecedented change of government. Pixel Cloud temporarily transformed this space into a site of reconciliation. During the opening night， thousands of citizens gathered as a community to share a common experience in an event that has been pointed by local residents as the largest public gathering in Austuv?llur since the events of 2008.The installation consists of a large scaffolding structure that has been assembled in a way to conceptually resemble a pixelated cloud. The scaffold， once liberated from its functions as an element in the construction industry， is treated as an object of art in itself. The entire structure is covered with a porous membrane composed of multiple layers of white net fabric. This membrane captures the light that is projected onto its surfaces while letting it pass through its porous openings and reach its multiple layers. A series of live generative visuals were video mapped to match in detail the spatial qualities of the structure， which were projected at 24，000 lumens from two different light sources. As the projected light passes from one layer of fabric onto the next， the light emission not only fills the entire space but it also reaches the bodies of citizens that venture into the environment of light and shadows created inside the structure. During the four nights in which Reykjavik Winter Lights Festival took place， Marcos Zotes performed a series of live visual creations in conjunction with live performances by Icelandic musician E?var? Egilsson and his project Cosmos. The structure remained as an elevated public platform during the daytime， allowing local residents to enjoy their surrounding urban environment with a new perspective.
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