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原名称:Istanbul with lu center
设计单位:Emre Arolat Architects + Tabanlıoğlu Architects
位置:土耳其 伊斯坦布尔
土耳其的佐鲁中心位于博斯普鲁斯大桥和布郁克迭热中心区的交汇处,紧挨着马斯拉克商业区,这里非常繁华。佐鲁中心根据地形进行了重建,建造了多功能的贝壳式多层建筑。这里有公共广场,南部和东部地势较高,分为两个区域,形成了公共活动区和私人空间。这里内层的建筑高28米,视野开阔,可以欣赏到博斯普鲁斯海峡的美景。外环的建筑高32米,多为住宅区。
广场周围就是林荫大道,附近有很多零售店,形成了公共活动区。这里还有音乐厅,可容纳2500人,和公共广场相连。音乐厅是半封闭的,定期会举行演出,满足市民欣赏音乐的需求。中心这里还有公寓,一层就有大花园,上面的楼层都有大阳台,相当于观景台,便于观赏附近的城市景观和自然风景。公寓的门廊空间宽敞,采用直线型设计,是露天的,光线很充足。周围还有三栋住宅楼,也是多层建筑,下面设有底层架空柱。
译者:筑龙网 Odette
From the architect. The Zorlu Center Site is just at the junction of the Bosphorus Bridge European connection and the glamorous Büyükdere axis that connects the city center with the great business district Maslak.The ground is reconstructed by a topographical interpretation, with a kind of shell that is transformed into an in-between layer for the different functions combined in the complex. The shell starts from the Boulevard Level, with a Public Square at the meeting point with the city, and rises towards south and east. It is split into two arms seperated by level differences, in order to overcome the dichotomy between the private and the public. The inner route, the Public Topography reaches to the 28m. higher Urban Balcony with the marvellous Bosphorus view. The outer ring ends up with a height of 32m creating the Private Topography of the residential units.
Just in the center, at the Boulevard Level is the Piazza surrounded by the retail units, that strives for creating an alternative public space. The Concert Hall of 2500 people capacity has an entrance amphi as a continuation of the Public Square and the Piazza, that offers a semi-closed space for alternative performances.
The terrace flats under the shell, are equipped with large gardens on the first level, and with large terraces on the upper levels enjoying the Bosphorus view. They are reached through the linear open air atrium, quite rich, lighted and cheery space. The rest of the residential units form three identical towers, detached from the shell with “piloti” and their structural formation continues the horizontal projections of the terrace flats, without turning into symbolic elements of the complex.
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