韩国济州岛贝希尔泳池别墅

别墅 · 发表于 2026-5-22 12:34:06

Korea JejuBayhill Pool Villa

设计方：Kim Dong-jin、L'EAU Design

位置：韩国

分类：别墅建筑

内容：实景照片

设计团队：Lee sang-hak, Lee young-sun, Park hae-in, Park Jong-beom , Jung Dong-hui, JuIk-hyeon, Yoon Ji-hye

委托方：贝希尔泳池别墅（BAYHILL POOL&VILLA）

建筑公司：DAEAN, JEHYO, BMB

图片：17张

摄影师：Sun Namgoong

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这是由Kim Dong-jin与L'EAU Design联合设计的济州岛贝希尔泳池别墅。在Photoshop软件中剪裁是图像最终成品阶段中仔细而确认的环节。而另一方面，场地的剪裁可以连续地创建偶然，创建在偶然时间、偶然地点和偶然气候下的非特定图像。海耶是个安静祥和的村子，是硕果仅存的几个不知名旅游景点之一。建筑静静地坐落在大院子中，提供了多处观望海耶的视点。建筑部没有以单一的维度去欣赏自然风景，而是将海滩、Baksugijeong和村庄入口等组成丰富的景观元素。景观可能属于常见的，但由建筑解构的实体形成的边界提供了新的体验，让济州岛的天空、海洋、山脉有了更丰富的特殊性。景观通过与混凝土框架结构形成了更多的视野，框定了各种自然和空间景观，为不同的个体提供了不同的视野，捕捉了不同的瞬间。木材作为一种隐藏的框架，是比混凝土更为灵活的自然材料，模糊了边界，成为了风景的延伸和编辑工具，并创建了新的景观概念（通道编辑）。译者：艾比 From the architect. Cropping of Photoshop is careful and determining completion stage of touching up image as a final image, on the other hand, cropping of location can continuously create coincidence and undetermined image which cannot be generated without that exact time, location, and atmosphere. As different photographer takes different photos from the same scenery, same location creates different sense of place per each situation and different unconscious recognition mode. At this moment, cropping process which eliminates unnecessary part for individual is a process of 'self editing' that takes out memories they want to forget and delaying the time they want to keep. After cropping out the unnecessary elements, one’s memory connotes their own story for the first time and turn into an image. New world which is created by volcanic activity. This place with different atmosphere from other location makes us feel dizzy by facing the fact how insignificant we are in front of the Mother Nature. People feel freedom when they walk along the shoreline called Olle Route with scattered basalt stone and the experience to upstream the speed of world by staying in nondaily new world like guest house or second house presents fresh inspiration to boring lives. Haye is very quiet and peaceful village, but this is one of the few remaining place where time stands still as it is not famous as tourist attraction yet. The building calmly sitting on large yard provides various views of Haye. Beyond enjoying nature in one dimensional panoramic view from inside of the building, it is achieved by including landscape elements from beach, Baksugijeong, and village entry. If this is still common, the boundary based on descent solidity of the building become an origin of new experience that makes Jeju’s sky, ocean, mountain, filed more special. Concrete Frame – The landscape scenery that is proposed through artificial structure as a fixed screen with plasticity which provides various views through Scene Frame and Space Frame regenerates different scenery per each individual based on fixed physical frame as a gesture of capturing moments. Wood as a Hidden Frame, which uses more flexible natural material than concrete, makes the boundary vague and utilized as extension and editing tool of the scenery and create new concept of landscapes (Passage Editing). Antique brick, stone mound, Jeju flagstone is a natural material that is refined by human hand and it becomes a process of human activity that naturally transfer for adjusting and communicating with rough nature, and also become a frame that creates a space for human living by creating standard and boundary as stratum of the world that connected to the ground. By using the effects of glass and mirror that reflects the scenery, unlimitedly reproduced scenery of ecstasy of nature through the Meditate Frame, people can experience the surrealistic space and create energy beyond deviating rest in Jeju. Orientation-In terms of building orientation, before discussing about extraordinary scenery and nature, the most important element of Haye is the essence of location that ocean and village should be considered as main. By linearly orienting the main circulation along the ridge, it became part of the village more naturally and as a result of considering continuous future expansion in linear layout of phase type, the main building of resort is located on the entrance. By the strategy of having vague boundary with no wall or perimeter trees to blend in to village without sense of difference and make Haye to be read as a whole, it became new methodology to make a various culture based village where are not boring and made it function as community base that continuously develop. Impressive symmetrical building of complex A, B and C with congregated layout which utilize topography and zigzag form of complex D are created by the fusion of role and functional element of each complexes. Different from Villa Complex B, C, and D, complex A is a Hotel Complex. Based on effective circulation of service area, we realized that views are different depending on the height and by differentiating the grounding system of each terrace which accepts views to layout the block (Block Housing), it allows each room and terrace have various colors. Through this method, it determined the impression of the resort. Complex B as a Stacking Villa format, it uses stacking method that reflects the characteristics of sloped topography. It is a form that is possible to continuously layout in one direction like Go or checkmate move of Korean Chess. It also allows to have various forms and application of congregating. 2 units are combined to create 1 complex and one of the 2 units are allows to use 2 rooms and as a result, 1 complex can have maximum 3 households. Complex C shares the same context as complex B which utilizes the slope, and the characteristics of complex C is having shared element that the roof of next door can be used as my courtyard (Clipping Villa). This can be inferred from the gathered layout of Jeju's private houses, this project is reinterpreting the motif of Jeju’s private houses as symbiosis an harmony was the matrix of Jeju's private houses which has low stone mound for house and courtyard boundary to share neighbor's and my properties. Different from complex A, B, and C, complex D is an independent building and based on loose spatial layout like gallery, z shaped circulation and forms is derived from having ramp format and locating many courtyards by utilizing the characteristics of road and topography. So-called Zigzag Villa utilizes horizontal and vertical dislocation to grant distinct characteristics on each in between spaces, secure each room’s independency, and induce accidental cross of gaze to allow experiencing abundant scenery frame. Written by Kim Dong-jin

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