法国度假别墅

别墅 · 发表于 2026-5-23 07:02:22

French Houses villa

设计方：Noémie Meney

位置：法国

分类：别墅建筑

内容：实景照片

图片：14张

摄影师：Germain Ferey

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这是由Noémie Meney设计的法国度假别墅，位于法国南部。业主是一对夫妇，建筑面积不大，包括卧室、厨房、浴室和客厅。原建筑建于1930年，改造过程中保留了现有空间结构和风格。通过一个拱门，高天花板的室内与室外空间产生交流，为了不破坏这个有趣的空间，建筑师在阁楼框架结构加上“鸟巢”，以减少建筑体量。这个鸟巢指的是柳条织屏，如同百叶帘让人去看而不被察觉。柳条制品常用于制作椅子，在这里被赋予了新的现代意义。该项目最大的挑战是保护现状建筑的空间质量，包括与园林的关系、室内高度、透过拱门的视野等。为此，建筑师将新建立面从旧立面中独立出来，新立面在内部，而新建筑占据了旧建筑体块的一半。在这样的情况下，建筑师就可以利用折叠门将室内空间完全打开，从而让室内与花园的关系更加密切。译者：艾比 This project aimed at turning a brick shack into a holiday guesthouse. It was to be fully equipped for a couple, featuring a Kitchen, a bathroom, a bedroom and a sitting room.The “Pavillon” is in the garden of a bigger house, a holiday house, built in 1930. But it’s totally independant from the house.The high-ceilinged original shed enjoyed a remarkable communication with the outside through an ample arch. In order not to tamper with its interesting roominess, the project has ajusted itself to the existing space the way a swallow’s nest clings to an attic’s framework, altering the volume as little as possible. This ‘nest’ which occupies the upper volume of the shed is hidden from view by wickerwork screens. Like Venetian blinds or mucharabiehs, they allow a person to see without being seen. Wickerwork, a material designers commonly use for chairs, is here given a modern new lease of life.On the ground floor, the kitchen and the bathroom are partitioned off. In the living room, thanks to an ample curtain, one can have a shower in a vast open space, while enjoying a good view of the natural environment. Thus, the exceptional rapport between the inside and outside of the shelter has been preserved. No visual or material barrier has been added ，the orchard appears as an extension of the living space. There is no such thing as an inside/outside boundary line. The humble shack now affords an outdoor lifestyle in the midst of an orchard, with all modern conveniences. The biggest challenge was to conserve the space quality of the existing building : the relation with the garden, the inside height, the arch which allows you to see all your environnemnt (the garden and the sky) anywhere in the building.The answer was to seperate the new fa?ade from the old one. The new facade is inside, and the new building occupies the half of the volume of the old building. With this system, we could put folding door, so the builing stays totally opened on the outside. The goal was to save this relation between this inside and the garden. I chose wicker for the screen because I wanted a living material, with its own impecfections and irregularities. This material is not static, the color changes and it moves a little with the humidity. In the idea to be close to the nature, I didn’t want something controled, fixed, which never changes. In this univers all controled, I like the idea that somethnig is not.Moreover, it was a way to make a link with the old building, with its old material which is close to 100 years old. It makes reference to our handcraft inheritage and it makes live this inheritage in a contemporary way.This material offers a very good quality of luminosity with a soothing color of light, that you can’t have with a ? cold ? material like metal.

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