荷兰E型塔楼

住宅 · 发表于 2026-6-9 00:50:11

E’ Tower / Wiel Arets Architects

设计方：Wiel Arets Architects

位置：荷兰

分类：居住建筑

内容：实景照片

设计团队：Wiel Arets, Bettina Kraus, Freyke Hartemink, Daniel Meyer, Mai Henriksen, Jacques van Eyck

合作人：Dennis Villanueva

承包人：Stadionkwartier BV, Laurentius-Amvest

项目规模：16,000平方米

图片：23张

摄影师：Jan Bitter

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建筑设计：Wiel Arets Architects 建筑时间：2013年图片来源：Jan Bitter 这是由Wiel Arets Architects设计的荷兰E型塔楼。这座住宅位于Eindhoven城市中的老工业区，E型的塔楼有110套公寓，分布在22层高的楼中。一个单独的辅助建筑呼应了有36套公寓组成的十层建筑。这个辅助建筑位于附近一条公路的角平分线上，塔楼的东立面被削掉了一块，目的是为了相邻角落位置的窗户也可以顺畅的展开，地面上南立面已经扩建成一个可操控的玻璃大窗户。环绕着塔楼和一个五层楼高的建筑。从这个玻璃门可以进入到庭院内。所有的新建筑都围绕高效的中心区而建，以此将地面可利用空间最大化。也正是因为如此，塔楼的大厅，也被自然的升高了，共有7米高。拉开与地面之间的距离，充分展示这一处设计的独立个性。窗户上印有俏皮的斑点，随着大小和位置的变化，给大家展现了一幅窗帘在风中飘扬的奇景。这些由大块玻璃组成的落地窗，为公寓大堂提供了充足的照明，和视图。另外，此处的酒店的一些设施也为附近的居民提供了便利。这座塔中还设有一个专门的阅读区域，也可以叫做礼宾区域，以此来迎合Eindhoven城市中的专业人士们，而非普通家庭。 E型塔附近有一处住宅区域，历史可以追溯到1910年，那个时候这里是员工的家属院，现在部分已经拆除，并作为飞利浦工厂之用。这里充满历史的住宅建筑，是二十世纪初在欧洲北部盛行的表现主义风格的房屋。鉴于工业化城市的历史，该项目创建了一个新的住宅类型学，将传统的土砖材料变成了二十一世纪新材料：玻璃和铝。这样的创新在建筑中具有十分强烈的表现力，调整了阴影区，将充足的光线引入每一套公寓中。该项目的设计就像是将一个土砖的海洋改造成通透的宝石。 E型塔楼中的每一套公寓中，都有一个2×5米的宽大阳光，这样的阳台可以供6个人举行一个小型的party。内部陈设也可以作为一个额外的空间，或者也可以作为寒冷冬天的室内花园。该项目是由浇筑混凝土打造的地面和第一层，剩余的地板全部由预制组件打造。译者： Stephen Jr. This housing project is located within a former industrial area in the city of Eindhoven that was redeveloped into a residential neighborhood named Stripe S and composed of two building blocks. The E’ Tower forms the entry to this new development, with 110 apartments dispersed across its 22 floors, while a separate auxiliary building echoing the former’s façade rises 10 stories and consists of 36 apartments. This auxiliary building is situated along a road bisecting the neighborhood. The tower’s eastern façade has been receded from the adjacent building block to enable its complete fenestration in spite of its corner location, while at ground level the southern façade has been extended to create an operable glass gate. Flanked by the tower and a five-story building that mirrors its brise-soleiled façade, this glass gate provides access to the neighborhood’s non-public courtyard while softening its procession of entry. Both of these new buildings have been organized around highly efficient cores, maximizing their inhabitable floor space. As such, the tower’s lobby has been elevated .7 meter above street level, distancing itself from its immediate surroundings to denote its rather private character. Its windows have been fritted with pixilated dots, which vary in both diameter and placement, focusing at a distance to compose an image of curtains fluttering in the wind. These floor-to-ceiling glass façades provide the lobby and apartments with extraordinary light, views, and space. Offering to its residents amenities more-often found in short-stay hotels, the tower also features a furnished reading nook, a custom-designed concierge corner, and private hospitality-boxes, positioning the building to cater to Eindhoven’s urban professionals and rather established couples. The E’ Tower borders a residential district dating from 1910 originally built to house employees of the area’s now partially demolished Philips factories. These historic homes were built in the Brick Expressionist style of construction that flourished in the early twentieth century throughout Northern Europe. By reinterpreting these industrial brick façades, and thus the city’s industrial past, the project creates a new residential typology that imparts the vernacular brick mode of construction onto twenty-first century materials, namely glass and aluminum. This innovation is evident in the project’s expressive layering of brise-soleil, which impart a play of shadow and light onto the façades and into each apartment. The project is therefore a shard of transparency set amongst a dense sea of century-old brick. Every apartment in both the E’ Tower and its auxiliary building feature a balcony of 2×5 meters able to accommodate a dinner party of six, while internal conservatories also serve as an extra room–or winter garden–during the year’s cooler months. The project’s structure is composed of poured in place concrete on the ground and first floors, physically anchoring it to its site, with prefabricated components used throughout its remaining floors, including the custom-composed and clover leafed columns. These rounded columns impart a fluidity within the interiors, eliminating any harsh edge of exposed raw concrete, contributing to a greater sense of ‘movement’ within both buildings, expanding their capacity for interiority.

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