UNStudio柏林“Motion Matter”作品展

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Unstudio motion matters exhibtion
荷兰UNStudio事务所最近研究了临时建筑装置大量复制的潜力，为他们柏林AEDES画廊开幕式上的“Motion Matter”展览奠定了基础。这个展览展出了他们过去25年里10个具有里程碑意义的设计项目，主要分成“Motion”“Matters”两个部分：“Motion”部分测试了观众在广相、颜色和材料不同的情况下的不同反应。他们的展厅里有一系列的过渡空间、视觉误导和错视画，目的是希望不是单纯地展示，或者被动地被观察，而需要观众来积极参与，感受这个动态的空间。公司合伙创始人Ben van Berkel说：“当我们提到建筑里的“动态”时，不仅仅是指建筑和它的潜在影响，还包括其中的曲折变化，是未来建筑研究的方向。“动态”综合了建筑的过去、现在和未来可能出现的各种可能性。“ “Matters”部分展出了UNStudio精选的十个方案，基本为1:1比例，让游客可以直接进入他们设计的建筑体验。这些建筑有：伯纳姆亭（美国，芝加哥，千禧公园），虚拟工程中心（德国，斯图加特，弗劳恩霍夫研究所），Agora剧院（荷兰，莱利斯塔德），中心商业街（韩国，天安），阿纳姆中心平台屋顶（荷兰，阿纳姆），Mumuth音乐剧院（奥地利，格拉茨），度假别墅（美国，费城），教育行政机构和税务办公室（荷兰，格罗宁根），Weinberg住宅（德国，斯图加特），以及梅赛德斯 - 奔驰博物馆（德国，斯图加特）。这里设定了五个专题主线，通过三维感官，蜿蜒穿插在画廊中，与展览作品相结合。每条主线都由一系列图像组成，展示了各作品之间的联系，也表明UNStudio事务所希望人们看完展览能学到一些新知识。
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UNStudio's investigations into the potential of temporary installations acting as experimental testing grounds for manifold architecture concerns is what forms the basis of their exhibition 'Motion Matters' which opens tonight at the AEDES Gallery in Berlin. Presenting ten of their milestone projects， the show also provides a general survey of the international firm's 25 years of architectural production， offering highlights of their practice and the wider discourse they engage in through their builds as the title suggests， the exhibition is divided into two thematic sections。A spatial installation tests the viewer's shifting perception through the effects of situation， light， color and material. A series of transitional spaces， optical illusions and trompe l'oeil effects are brought forth to UNStudio's contemporary structures， generating an experience that negotiates the ideal and the relational--not just a showcase， or something which one passively observes， but an environment which demands active participation in order to create a spatial and dynamic experience. Founding partner of UNStudio Ben van Berkel on motion: 'When we talk of ‘motion’ within architecture we not only refer to buildings and their potential effects， but also to shifts， or twists in the whole， integrated practice of the profession; we talk of the mobile forces which engender change and where the future of architecture may lie. ‘Motion’ therefore also encapsulates the past， the present and the possible future of the profession.' A selection of 10 projects from UNStudio's Portfolio is displayed at an almost 1:1 scale， offering the visitor the opportunity to 'step into' the architecture displayed. The featured buildings are: Burnham pavilion (Millennium park， Chicago， USA)， the Centre for Virtual Engineering - ZVE (Fraunhofer Institute， Stuttgart， Germany)， the Theatre Agora (Lelystad， Netherlands)， the Galleria Center City (Cheonan， Korea)， the Arnhem Central - platform Roofs (Arnhem， Netherlands)， the Mumuth Music Theatre (Graz， Austria)， the Holiday Home (Philadelphia， USA)， the Education Executive Agency & Tax Offices (Groningen， Netherlands)， the Haus Am Weinberg (Stuttgart， Germany)， and the Mercedes-Benz Museum (Stuttgart， Germany). Five thematic threads bind all of the work on show， connected through a three-dimensional ribbon that meanders through the gallery space. Each of these lines are composed of a number of smaller images which afford the reading of various relationships between the exhibited projects， and provide insight into the knowledge-driven nature of UNStudio's practice.