雷克雅未克音乐厅和会议中心

超妹大爱infini

Henning Larsen Architects
Harpa
Reykjavik Concert Hall & Conference Centre
Reykjavik, Iceland
亨宁拉森建筑师事务所
Harpa
雷克雅未克的哈尔帕音乐厅和会议中心
位于冰岛首都雷克雅未克
　　雷克雅未克的哈尔帕音乐厅和会议中心的设计汇集了北极光的美轮美奂和迷人的冰岛景色。
　　该中心位于陆地和海洋的交界处，巨大的放射性雕塑结构映射出了天空和海港空间，同时也是对该城市繁盛生活的真实写

照。建筑华丽的外观是由Henning Larsen Architects建筑事务所、丹麦冰岛艺术家Olafur Eliasson和 工程公司 Rambøll以

及德国的ArtEngineering GmbH公司共同协作下完成的。
　　音乐大厅和回忆中新占地28000平方米，位于雷克雅未克一处僻静之地，这里可以看到一望无际的大海，和周围峰峦起伏

的群山。在建筑的前面有一处接待区域和休息区域，中间有四座大厅，后台区域由办公室、行政室、排练大厅和更衣室。

　　三个音乐厅彼此相连，人们可以通过南面的通道到达音乐厅，同时可以从北部的入口可以到达后台。建筑的第四层是一个

多功能的大厅，这里可以进行更加特别的演出和宴会宴请。
　　从建筑的外观来看，山丘一样的建筑外观就显示海边的玄武岩一样，与空旷的极富表现力的外观形成了强烈的对比。在岩

石的中心，可以看到最大的中心大厅也是最主要的音乐厅的室内装修。
　　这座建筑是在当地建筑公司Batteríie Architects的协作下共同设计完成的。
The Harpa Reykjavík Concert Hall and Conference Centre is an amalgam between sculpture and architecture. Built in collaboration between the Danish-Icelandic artist Ólafur Elíasson, Henning Larsen Architects, and BATTERÍIÐ Architects- the building’s iconic facade systems create an instant icon and draws the building as an integral part of the East Harbour Project, a far-reaching harbour development project in Reykjavik. The building’s prismatic south facade was designed Ólafur Elíasson, known for his use of elemental materials in search of creating environmental experiences for the viewers of his works.     
Henning Larsen Architects describe the project in the following words:
Situated on the border between land and sea, the Concert Hall stands out as a large, radiant sculpture reflecting both sky and harbour space as well as the vibrant life of the city. The spectacular facades have been designed in close collaboration between Henning Larsen Architects, the Danish-Icelandic artist Olafur Eliasson and the engineering companies Rambøll and ArtEngineering GmbH from Germany.
The Concert Hall of 28,000 m2 is situated in a solitary spot with a clear view of the enormous sea and the mountains surrounding Reykjavik. The building features an arrival and foyer area in the front of the building, four halls in the middle and a backstage area with offices, administration, rehearsal hall and changing room in the back of the building. The three large halls are placed next to each other with public access on the south side and backstage access from the north. The fourth floor is a multifunctional hall with room for more intimate shows and banquets.
Seen from the foyer, the halls form a mountain-like massif that similar to basalt rock on the coast forms a stark contrast to the expressive and open facade. At the core of the rock, the largest hall of the building, the main concert hall, reveals its interior as a red-hot centre of force.
The iconic facades perform another purpose alongside of show and display, they interact. The prismatic south facade punches into both interior and exterior. The other semi-random cell facades extend their mullions significantly into the interior spaces which they bound, creating the circumstances for impromptu leaning/ climbing (see pictures). They are a playful element, proving that genius can be both exciting as well as pragmatic.

爱批给

第一张是效果图还是实景啊？