阿根廷天主教大学

超妹大爱infini

所 在 地：阿根廷 圣达非

Catholic University of Santa Fe Extensions

这是由Javier Mendiondo 和 Lucila Gómez设计的圣达非天主教大学校园。学校坐落于与瓜达卢佩（Guadalupe），圣达非附近的一座公园旁。其鲜明的特点是茂密的森林，低密度建筑，街道作为邻里空间的形式。在这样的背景下，学校建筑和原先12000平方米的建筑规模因环境而存在明显区分。该项目提出重现瓜达卢佩的空间属性：植被和适宜的公共空间。新大楼通过植被改变了环境属性，使其由公共转为内向，比如在外围做了环境的过滤，扩大了内部区域，植入了粉色的紫檀树等手段。同样，开放和透明的空间营造了建筑和城市之间新的对话，如同中央庭院和街道的内在联系。一层作为进入整个大学的入口空间，沟通了北翼，南翼，围绕中央庭院设置了回廊。以这样的对话方式，重新定义了建筑和城市的构架和定义，消除了固有的界限，并提出了一种新的社会团结模式。从建筑材料和表达的观念来看，新建建筑的三个序列对应着三种材质实例：1-金属和植物结合；2-混凝土和植物结合；3-木材和混凝土的结合。
第一个特点是面向街道的材质变化，通过镀锌网搭成的植物桁架，形成了入口处的阴影，有利于建筑和瓜达卢佩环境间的互动。作为一个垂直花园，这个金属网包含了6种植物的种植空间，灌溉和排水系统，每个季节可通过人工进行灵活变换。建筑的第二个特点是通过一个连续的空间，表达了内外部衔接，并通过内部庭院和粉红色的紫檀树实现两个院落之间的联系。像罗马的方形蓄水池一样，建筑通过雨水溢出，沿建筑构件从屋顶下到地面的方式解决了排水问题。第三个特点是内部的庭院很好的回答了对比和破裂这一问题。木质的阳伞在地面上投射出阴影，又在玻璃栏杆上产生了反射，强烈的对比下形成了大学生主要社交空间。
译者：筑龙网 丢丢
译稿版权归筑龙网所有，转载请注明出处。
The university is located in Guadalupe， a garden neighborhood of Santa Fe， whose distinctive characteristics are dense forest， low building density， and the use that neighbors give the street as a space of encounter. In this context， the university building， with its pre-existing 12.000 m2 was distinguished by an architecture of a discordant scale regarding its environment. The project proposes to recreate in its expression and its spatiality some of the identity attributes of Guadalupe: the vegetation and the way of appropriating public space. The new building shifts the environmental character of the streets of the neighborhood to its interior through the use of vegetation， both in the facade as an environmental filter， and in the heart of the expansion with the presence of a pink Lapacho tree. Also， an open and transparent ground floor proposes a new dialogue between the building and the city， as an interaction between the central courtyard and the street.The ground floor acts as an institutional access to the entire educational complex， communicating the north wing and south wing， and setting a cloister around a central courtyard. From this dialogic approach， the building becomes urban and the city defines its architecture， concepts that dematerialize the set demarcations and that propose a new way of uniting society. Regarding materials used and perceptions represented， the building recreates three sequenced episodes that correspond to three material instances: 1 – metal-vegetal， 2 – concrete-vegetal， and 3 – wood-concrete.
　　　A first instance is materialized towards the street through a vegetal truss contained by a galvanized mesh， laid out as a shade for the facade， which benefits the interaction of the building with the Guadalupe surroundings. As a vertical garden， this metallic mesh contains the planting， irrigation and drainage systems for six types of plant species that in each season make a natural-artificial event， versatile and changeable. The building registers a second moment with a succession of spaces that express the interior-exterior articulation， linking the horizontal aperture of the ground floor with the vertical tensions generated by the interior courtyard and its pink Lapacho tree. Like a Roman impluvium， this interior courtyard solves the drainage system of the building through an overflow of rainwater that trickles through a plane of concrete from the roof to a ditch on the ground floor.The third instance， towards the interior courtyard， offers an answer of contrast and rupture. The wooden parasols transcribe to the interior of the building a play of projected shadows and their reflections on the glazed railings， generating an intense environment where the main interpersonal activities and the encounters between the members of the university community happen.