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| Cultural Center in Guadalajara Competition Entry |
这是由K+P建筑事务所设计的瓜达拉哈拉文化中心,其灵感来自于对文化的以下定义:“人类一直以来用各种巧妙的方法克服原始的野蛮,从而成为完整的人。”在此定义下,K+P的建筑师一直致力于建筑的两个形态:原始形态和社会形态。建筑的第一种形态是原始形态,体现的是建筑是所有重要功能的集聚,这个核心是独立的,刚性的,和周围环境不相协调的。其次,是社会形态,包括建筑与其自身相符的特定功能,这样的建筑是与现有的城市结构相契合的。柯尔顿钢筋和玻璃的立面设计,使得城市动态能渗透进城市文化中心,能与内部各个功能区经由有序的开放空间进行互动。干预隐喻着文化的重要性以及它在人类文化发展进程中的巨大推动作用。
译者:筑龙网 丢丢
译稿版权归筑龙网所有,转载请注明出处。
The proposal for the Cultural Center in Guadalajara draws its inspiration from the following definition of culture by Pufendorf: “All the ways in which human beings overcome their original barbarism, and through artifice, become fully human”. Through this definition, this design by K+P Architects focuses on two different states of the building: The primitive state and the social state.The first state of the building. “primitive” state, is reflected by the agglomeration of all vital functions for the operation of a building (infrastructure core). This nucleus is independent, rigid and uncompromising with the surroundings. Second, its “social” state, encompasses the programmatic functions of the building; these functions are assigned to its identity. This body wraps and compromises with the existing urban structure.The facade of Corten steel and glass enables the city dynamic can flow into the cultural center, interacting with all the functions “pods” mediated by the free organization in open spaces. The intervention is assumed as a metaphor of the importance of culture and its dynamics are for the development of man as a cultural being. |
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