Studio Odile Decq设计的这个“FRAC Bretagne”是第一个在法国建成的当代艺术博物馆。这个建筑虽然外表十分现代,但是材料应用和空间表达都具有丰富的手法,整体表现十分亮眼。主要的建筑结构是加固混凝土,自然形成了黑色调,结构钢柱带来的是精细的金属质感。钢材料也被用在了混凝土构件的连接和外部边框上,与其他部分的深色质感形成呼应。一层为大型玻璃窗围合,主要有一个咖啡馆、休息区和一个小礼堂(礼堂内部为亮红色调)。建筑内部的垂直交通包括一部电梯(供客货两用),还有中央的楼梯(顶部有透出天光的屋顶天窗)。顶部天窗的光线将会照到各个画廊、储藏区和屋顶的图书馆。这个博物馆不同的一点还有,它顶篷不同于传统建筑,为其下的顶层透明图书馆的室内空间提供了自然的遮荫。
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The 'FRAC Bretagne' by Studio Odile Decq is one of the first new contemporary art museums to be realized in France. Although modest in size, the unique material applications and spatial expressions create a dramatically vibrant space characterized by rich tones and reflective surfaces. The main structure is made of reinforced concrete treated with an engineered pigmentation process that gives it a natural black hue, cast in steel formwork so as to give it a subtle metallic texture. Steel is also used for structural framing in conjunction with the concrete and as exterior siding, given a chemical bath treatment to render the material a deep charcoal. The ground level is defined by an entirely glazed wall exhibiting a gradient transparency and houses a public cafe, seating area, and a small auditorium within a faceted bright red volume that carries through to the levels above. Vertical circulation consists of an elevator that serves both services and the public, or the stairs located in a central full-height void illuminated by skylights. This light well is a programmatic spine from which the galleries, storage, and rooftop library unfold through exploration of the vertical promenade. The solid canopy finishes the traditional exterior formal expression with a contrastingly angular piece that overhangs the transparent library function for natural shade and provides foreshadowing for the interior spaces.