日本九州芸文馆

超妹大爱infini

所 在 地：日本 福冈 Kyushu Geibun Kan Main Building 隈研吾设计的九州芸文馆将会作为日本福冈市的博物馆和文化中心，成为当地一个景观。受到日本传统艺术——折纸的启发，众多折叠面形成了建筑内部的庭院和通道，还围合出了用于创作、展览艺术文化作品的室内空间。这个建筑大部分都是单层的，天花板与外面的屋顶一样具有折叠棱角，有些部分的天花板打开，露出夹层或高处的楼层。它低而棱角分明的形态模拟的是远山的轮廓和附近Yabe河的流线。建筑外表的石墙和植物墙有着丰富的纹理。通过切割这个几何折叠的体量，确定了建筑的开窗位置，让室内充满自然光线。室内地板、家具都使用了木材，希望寻找回这个地区的自然传统。建筑外表光滑、编织的纹理都有着日本传统的山河、列车、纸、绢和木材的影子。这个建筑的空间联系了室外环境，成为了蕴藏着文化传统和创造力的地标性建筑。 译者：筑龙网 flyingboots 译稿版权归筑龙网所有，转载请注明出处。 Kengo Kuma's 'Kyushu Geibun Kan Main Building' creates a gateway to a museum and cultural center situated on a vast landscape in Fukuoka， Japan. The building is informed by traditional Japanese art such as origami--seen through its many folded planes defining several courtyards and passages--while enveloping interior spaces for the creation， exhibition， and exploration of art and culture. Most of the architecture is comprised of single story volumes with ceilings which reflect the angularity of the exterior roof， occasionally opening up to reveal a mezzanine or second floor above. The low， angular profile of the building emulates the silhouette of the distant mountains in the landscape， and the flow of the nearby Yabe River. The texture of the building envelope is also informed by its rich context with stone and green wall elements incorporated into the facade. Views to the landscape are provided as the skin is cut and creased allowing natural light to enter through the irregular geometric volumes. The extensive use of wood throughout--seen in the floors and furniture--recall the natural site in which it is positioned. Smooth， ribbed， and woven exterior surfaces are reminiscent of the mountains， river， and passing trains in the physical surroundings， and the paper， silk， and wood used in Japanese art through history. Blending the outdoors， and constructed space， this landmark becomes a locus for the community to appreciate cultural heritage and creativity.