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| 隈研吾设计的“贝桑松艺术中心和音乐之城”位于法国东部Doubs河岸,与周围不甚协调的自然和建筑融合在一起。贝桑松以在1959年本市举办的乐团指挥国际竞赛获奖的Seiji Ozawa闻名,是一座文化名城。这个建筑位于城市边缘,联系了上世纪30年代的仓库和17世纪的Vauban城堡。屋顶也成为了一道亮眼景观,起伏的形态上安装了许多玻璃瓦,为室内洒下充足的自然光,模拟出了树下阴影。这个设计灵感来自不断起伏的波光粼粼的水面。整个建筑外表材料为木材,微微露出里面一层的玻璃窗;这似乎是这个建筑依偎在河边的一个隐喻。 |
译者:筑龙网 flyingboots
译稿版权归筑龙网所有,转载请注明出处。
On the banks of the Doubs river in eastern France, Kengo Kuma has designed 'Besancon Art Center and Music City' as an integral link among dissonant styles of the natural and built context. Known for Seiji Ozawa being awarded the grand prix of the Besancon orchestra conductors international competition in 1959, Besancon has a rich cultural history. At the edge of the city, the center connects the 1930s warehouse and 17th century Vauban Citadel, roof becomes landscape rather than object. The undulating form admits a generous amount of natural light through a system of glazed tiles that mimic the dappled awnings of trees. The architectural form draws from the composition of light created in the meandering watery skin of the river.
The building is clad with a tiled timber skin that reveals a subtle underlayer of glazing. The translation is at once a subtle abstraction and faithful metaphor of the intensely creative hub nestled within the greenery of the riverbank. |
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