台中城市文化中心参赛作品

超妹大爱infini

设 计 师：Zou Qiang， Richard Sather， Christos Choudeloudis， Paris Manari

所 在 地：中国 台湾 其他

这是由Georges Batzios建筑事务所与思邦公司合作为台中市文化中心竞赛设计的作品。方案的设计理念来源于书法艺术，因此命名为“书法景观”。书法作为媒介，将严谨的文字知识转化与诗意的艺术相结合，形成了图书馆与美术馆在同一个建筑内的新型设计。建筑师试图将书法由写作转化为艺术，其强健的和轻柔的笔触都可在艺术上运用。书法这种古老的艺术通过精心的思考和使用优雅的笔触，将清晰和精确的几何形状和线条组合成字体，形成了书面语言和艺术。因此，建筑师决定将两栋建筑以这种书写和艺术结合的方式整合在一起，形成一个知识的流动空间。

建筑起始于形式简单严谨的图书馆。因为图书馆是知识的海洋，知识的获得需要严谨的态度，而艺术则涉及理智与情感。图书馆是储存书籍并供人查阅和学习的地方，具有实验性和流动性，正如知识是不断变化和更新的。同时，书籍的储藏需要足够的空间，并保证其可达性和便捷性。因此建筑师用一种反向的模式来设计图书馆，即将隐藏的书架暴露出来，并将这种流动的知识作为图书馆的主要特征。正如一个高度技术化的工厂，建筑内的自动化系统能够产生连续的流动性和丰富的可能性，能够不断变化以适应不同的颜色、为外部双层表皮遮阳、创建图案和节日庆祝等。外部的双层玻璃表皮将图书馆包裹在简单的几何形体之中。美术馆形成了一个书法中山的形式。两栋建筑相互嵌套，形成了简约的几何形，并逐渐转化为书法中山的轮廓。这两栋相融合的建筑通过图书馆书架形成的严谨的几何形式、外表皮的包裹、环绕的阅读路径和美术馆的运动路线，形成了一个建筑景观。地面形成了一个连续的表皮，通过褶皱上升形成两个山峰用以的支撑屋顶。而屋顶作为自然景观包含了池塘和自然植物，宁静的环境为飞过的鸟儿提供了一个栖息之所。一个大的环形开放空间为建筑室内提供了建筑的自然采光、降水和新鲜空气等。开阔的一层为人们的聚集和流动以及观赏艺术提供了空间。
译者：吉吉
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Georges Batzios Architects + Sparch (Rena Sakellaridou and Morpho Papanikolaou) shared with us their proposal， titled ‘Calligraphic-scapes，’ for the Taichung City Cultural Center competition which stems from the origins of calligraphy. The rigorous transformation of knowledge， to be found in written language， is brought together with the poetic domains of art by means of calligraphy as the medium. As such， it brings together both the library and art museum into a new hybrid entity.
We thought about the transformation that takes place by virtue of calligraphy from writing to art; strong and soft brushes create letters for the written word and art at the same time.
Calligraphy， this ancient art of transformation of clear and precise geometric shapes and lines into letters and art through the conscious and elegant use of the brush， intervenes to transform the raw material of human understanding to written language and art. We decided to design the two buildings together in such a way that written knowledge and art are nested to each other， appreciated and experienced through the programmatic fluid space of a path of knowledge.
It all starts with the geometrical simplicity and formal rigor of the Library. Indeed， a Library is about knowledge. And knowledge requires rigor， while art appeals to both the intellect and the emotions. A Library is about its books and the people reading them， about book stacks and reading rooms. For us a Library is also a place of experimentation and fluidity， in the same way that knowledge is fluid and always changing. On the other hand， the storage of books needs to be efficient and to have the potential of expansion in the future， while access to the books needs to be immediate and multiple.
We design thus a Library in a reverse mode， one that exposes its hidden stacks. We design a continuous flow of books， a flow of knowledge and transform this into a main feature of the library. Like a highly technological factory， the automated system creates a continuous flow， rich in possibilities: it can change to accommodate different colors， to shade the external double skin， to create patterns， to celebrate anniversaries.
The external all glass double skin envelope of the Library stacks encloses in its geometrical simplicity the softly unwinding path that we design for the reading spaces. The Museum is then transformed to a calligraphic mountain form.
The two buildings are nested to each other; they evolve from one another. The nested form starts form geometric simplicity and gradually is transformed to the calligraphic contours that shape the mountain.
The hybrid double building becomes an architectural landscape that evolves from the rigorous geometrical formations of the Library shelves， a formal envelope that encloses the whole， to the unwinding path of the programmatic reading spaces， a path of movement and program that moves around the Mountain of the Art Museum. The ground becomes a continuous surface that folds and rises to form this Mountain with its two peaks that support the roof. The roof， as a natural landscape with reflecting pools and natural vegetation， is designed as a serene landscape that offers the passing birds a nest for a while in their trip to other places.
A large circular opening allows natural light， rain， fresh air to enter. The large expansive ground surface is allocated to nature and flows of people， on sittings and areas for art.

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学学大师的想法，好东西