|
|
| PM2G Architects 建筑设计事务所在“国际临时可持续剧场设计竞赛”中的最终方案灵感来自卡迪夫地区的文化和物质因素。这个地区的历史深受威尔士煤矿工业的影响,因此形成凹凸不平的地形环境。建筑师利用这个特征作为构思的出发点,设计者希望建造一个让观众可以在立面同时扮演成为使用者、演员、探奇者的角色,尽情的体验探索的自由。 |
| 挑战来源于如何让建筑的尺度和体量不影响Anthony Hopkins中心庭院的视线和使用。如何在一个很小的内向空间中创造一个景观。 |
| 另一个挑战是如何让物质资源有限的条件所带来的影响降低到最小,设计师通过“从摇篮到摇篮”的策略可以降低成本,将卡迪夫和联合王国的市长煤炭出口码头上堆放的原料直接用来作为堆放木台的材料。 |
| 通过建造一个凹陷的剧场设计师优化了金字塔的内部空间,为结构、声学以及容纳120个观众的空间要求创造了条件。 |
| 这个项目不但需要在短期内满足内部观众的需要,还要考虑外部的参观者在这个“绿色空间”中休息。虽然使用不同的材料,这个剧场的地面可以逐渐转化为墙面和天花板。这个空间虽然是闭合的,但是却可以同时看到围绕着它的一圈剧场中心建筑,充分享受自由自然的感觉,就像游览乡间的山林一般。 |
译者: 好好霸霸
译稿版权归筑龙网所有,转载请注明出处。
Designed by PM2G Architects, their inspiration for their finalist proposal in the international competition for the Temporal Sustainable Theatre came up from the cultural and physical aspects of the region where Cardiff is based. The history of the country has been marked by the welsh coal mining industry resulting in a bumpy landscape which the architects used as a departure point for developing the idea of using it as the stage where the audience are the users, the actors and also the ones who try to discover what is inside and outside, giving freedom for exploration. More images and architects’ description after the break.
The challenge was to create a place that even its scale or mass would not interfere with the views and life of the courtyard of the Anthony Hopkins Center. How to create a landscape inside a small introverted walled patio?
Another challenge was to create a minimal impact on the space in terms of material resources the economical ones; having a reduced budget we followed the paths of the cradle-to-cradle basis. By having to develop a simple but feasible solution we chose the wooden pallets being a reference to the stacked goods in the docks, being Cardiff one of the mayor coal exportation ports of Cardiff and the United Kingdom.
By the creation of a concave theater we tried to optimize the interior of the proposed pyramidal resolution, this solution works for both structural and acoustical matters as well as having the sufficient area to accommodate 120 people.
The ephemeral term mean that it would have to please not only the internal users but also the visitors who would come to rest in a “green” space; this area give the sensation of entering to a place where the floor becomes wall and roof even with a different material. A place that is closed but at the same time that opens and watches the surrounding building of the theatre center, free and natural, equal to the joy of visiting the hillside of the country. |
|