台中文化中心设计

超妹大爱infini

所 在 地：中国

这是由BAT建筑事务所设计的台中文化中心。他们的理念是文化中心借由大海和群山的力量从地里生长出来，以向世界展示台湾和台中的风采，以力量为主题的建筑景观设计更能展现文化中心的国际性。

站在台中中央公园可以看到地块的升起形态，以波浪形的褶皱构造隐喻台湾本岛，不禁使人想起台湾壮观的山地、茶田景观。台中中央公园和文化中心相映成趣，公园的路径自然的延伸到文化中心，增加了空间的流动性。从公园大道上看则是另一道完全不同的景观，建筑体量从公园升起处打开，蜿蜒向上，象征着大海大海一般，波浪冲向岸边，海风轻抚脸庞。建筑以开放和渗透的姿态面向城市打开从而与环境建立强烈的联系。主体建筑以多层复合板梁为结构支撑，同时每一米为间隔加入横向连接器。除结构支撑作用外，连接器还起到承担建筑设备的作用。不同的屋顶下形成各异的空间，大部分屋顶都由绿色植被所覆盖，部分屋顶采用玻璃表面以满足室内采光需求。同时在台中中央公园和公园大道之间还增建了一个大型集会空间，两个入口分别设置在中央公园和公园大道上。建筑师还在其中置入一条绿色小道，将其引向建筑所在位置。站在广场上，可以望见巨大玻璃幕墙背后的博物馆。改玻璃幕墙采用最新的技术，具有不同等级的清晰度和抗紫外线能力。此外，博物馆还使用投影仪在幕墙上形成中国图腾，晚上，幕墙则用来广告宣传。内部空间也经过精心设计，三层通高的大厅带给参观者以视觉震撼。内部则布置有博物馆商店、博物馆接待处、教育研究处等功能空间。另一幢建筑则为未来图书馆，落成之后将成为全台湾最大的图书馆。

译者：筑龙网 丢丢
译稿版权归筑龙网所有，转载请注明出处。
Designed by BAT (Bilbao Architecture Team)， their proposal for the new City Cultural Center grows from the earth， with the strength of the sea and mountains， to show to the world how Taiwan is; how Taichung is. The design uses this strength to configure an astonishing landscape architecture able to project the cultural center internationally. The view from “Taichung Gateway Park” shows how land raises， configuring wavy shapes， showing the folds of the tectonic plates that shaped the island of Taiwan. It brings to our memory the wonderful mountain landscapes in Taiwan， including their famous tea fields. “Taichung Gateway Park” and the new “City Cultural Center” put together into a unique landscape， giving a united answer to the project site. The paths that define the design of “Taichung Gateway Park” show us， in almost a natural way， the access to the new “City Cultural Center”. A direct and clear relationship between the park and the competition purpose is managed by the use of open and clear flows.The view from Park Avenue 2 is completely different. The winding bodies that grow from the park start to open， and finish drawing us shapes that remind us of the sea. Images of the waves breaking into the shore， and sea breeze stroking our faces. The building shows itself this way， facing the city in an open and permeable way， looking for an intense relationship with it.The formalization of the building is managed by the concatenation of a structure of great depth laminated wood beams. They are disposed each one meter and joined with lateral connectors. Apart from the structural duty， these connectors are used to carry some of the building systems. Different roof coverings are disposed depending on the interior requirements. Most of the roof surface is covered by a green carpet， but we also find glass surfaces for providing light to the interior spaces， solar panels or wooden paved areas.A big meeting space or plaza has been proposed to connect Taichung Gateway Park and Park Avenue 2. It’s configured as the union of two great halls， one from the park and the other one from the avenue. The green path coming from the park is introduced into this space， and it shades as it reaches the avenue， where it earns a more urban aspect. It is here where the entries of the two buildings are placed. From this plaza， it is possible to contemplate the great glass fa?ade behind which the museum is placed. This glass fa?ade， built using the latest technologies in curtain walls， has different clarity and U.V. protection levels. By using internal projectors， games with clarity， light and shadow try to provide effects we could find in Chinese shadows. At night， the fa?ade could offer us different images that could advertise the events inside.The building aims to show itself as a Culture Temple， and internal spaces have been carefully designed in order to get to it. The museum hall， great triple-height hall， welcomes the visitor with a great shocking vision. The visitor will find here the museum shop， the museum reception and the stairs that go up to the Education and Research spaces.The future library， destined to become one of the most important in Taiwan， is organized around the great hall. This hall is to provide the visitor the role of literacy for humanity. Thus there has been conceived a vacuum that connects all floors.

Ginko

借鉴了太极鱼的概念呐~