黑山宗教建筑

江v洋

项目名称：黑山宗教建筑 所 在 地：未知 这是由Rifat Alihodzic设计的黑山宗教建筑。整个建筑被设计成一个对死者追悼的宗教场所。在这里，人们可以表达对于死者的哀悼，并问候他们的亡灵，宗教人员也可以为先驱们祈祷。 原始空间的哲学主题是人生而平等，生活平等，死亡平等。三个立方体，采用相同的设计，寓意了每个人生命中，这三个理念是最基本的条件。这三个立方体在空间建筑物中的位置，被安排在中央区域周围。中心的圆形树冠突出代表了人一生的人生道路。始于出生，生活在人世间，并最后不可避免的死去。 在伊斯兰教中，死亡并不是什么悲剧的事情，因为他们相信有来世的说法。所以这样的想法对建筑设计本身有非常直接和重大的影响。设计回避了传统伊斯兰建筑的形式和所有元素的传统语言。整座建筑高度反映了对时间概念的表达。欧洲伊斯兰教的现代趋势是发展黑山地区的穆斯林教徒。 这一项目作为黑山的代表作品参加了2010年的 Aga Kahn建筑节，并在2011年获得了欧洲联盟Mies Van Der Rohe 奖。 译者：筑龙网 蝈蝈 版权归筑龙网所有 转载请注明出处 The building is designed to be a place where deceased is taken care of in a religious sence， the place greeting and serving friends when they express condolence， the place of religious prayer of the deceased. Basic philosophical theme which was taken as the archetype of the spatial and compositional concepts， is the equal treatment between the state of birth， life and death. Three cubes， identical in their desing， allegorically are three essential conditions of each person in the life cycle. The position of these cubes in the spatial composition of the building is set around a central column that represents the center of the circular canopy which underlines life path that begins with the birth， life continues and inevitably ends up in death. Death in Islam does not consider tragic， but early in the second， the afterlife， and this approach had a direct impact on the design of the building. Avoiding the traditional form of Islamic architecture and traditional language of all the elements， there was a desire that the facility receives the full expression of time in which it occurs and thus articulate victims of permanent life changes in line with contemporary trends in Islam in Europe which seeks Muslim population in Montenegro. Also， this project represented Montenegro for 2010 Aga Kahn Award for Architecture and was nominated for Mies Van Der Rohe European Union Prize 2011

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