M+博物馆

寒江吹雪

shigeru ban与thomas chow入围香港M+博物馆的设计，入围的设计团队共有六个。该M+博物馆定址于九龙，总占地14公顷，西九龙这个地方将成为一个巨大的艺术收藏地，一个文娱艺术区。
既然是艺术区，开放性自然特别重要。玻璃门面和百叶窗的安装可以体现博物馆的开放性和融通性，路人也很容易被吸引进博物馆。建筑整体都是由几何图形构成的，每一个立面都是一个三角形，更加新颖的是，屋顶的三角形做出了特殊的变形，从三角形的每一条边都延伸出一个三角形，悬在空中，角度也各不一样，就好像是翅膀一样。这个特性还能控制气候，让建筑更少地依靠空调，而能达到冷却温度的目标。
该项目还充分考虑了环境因素，在博物馆旁设置了一个公园，并且利用了海滨的天然位置。在结构和材料方面，使用的是碳纤维和竹子，象征着香港的文化。


shigeru ban, in collaboration with thomas chow architects was chosen as one of six shortlisted teams to design the M+ museum in hong kong. the competition called for a new art institution to be realized in kowloon, along the edge of a 14-hectare park that would be home to a vast collection of 20th and 21st century art within the rapidly developing west kowloon cultural district area.
along the ground floor, glass shutters are installed which enable the public and passersby to freely enter in and out of the museum, thus emphasizing the importance of pedestrian circulation around the volume and its park site. the geometric form of the design exhibits distinct symmetrical triangular facades, five of which also function as transformable wings, which lift upwards and downwards, opening up the interior the exterior. this feature also controls the climate within, allowing the building to rely less on the use of air conditioning to cool its temperature.
the en plein air scheme references the design of the louisiana musum of art, creating the atmosphere of a gallery set in a park thus becoming a seamless addition to the waterfront location. the proposed architecture uses a mixture of contemporary materials including carbon fibre, and more traditional applications of bamboo to symbolize the identity of mixed cultures in hong kong.

来自筑龙网

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材质好多啊！